The Wind That Shakes The Barley
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Zwei Brüder kämpfen Seite an Seite im irischen Unabhängigkeitskrieg gegen die britischen Unterdrücker, bis sich mit dem Waffenstillstand von das Blatt wendet. Nun stehen sich die Geschwister im Bürgerkrieg als Feinde gegenüber. The Wind That Shakes the Barley ist ein Spielfilm des britischen Regisseurs Ken Loach aus dem Jahr Das Kriegsdrama basiert auf einem. The Wind That Shakes the Barley steht für: The Wind That Shakes the Barley, britisch-französisch-irischer Film von Ken Loach (); The Wind That Shakes the. sizilienreisen.eu - Kaufen Sie The Wind That Shakes the Barley günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. Die Jury um den Vorsitzenden Wong Kar-Wai entschied sich einstimmig für The Wind That Shakes The Barley als Sieger im Wettbewerb und begründete dies. Many translated example sentences containing "the wind that shakes the barley" – German-English dictionary and search engine for German translations. sizilienreisen.eu Our Daily Free Stream: Ken Loach - The Wind That Shakes The Barley. "In every generation the Irish people have asserted their right to national.
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The Wind that Shakes the Barley - LYRICS Rating details. Readers also Miguel Bernardeau. Create your account Already have an account? Friend Reviews. Q: How many people were killed in the conflict? Micheail Damien KearneyRate this movie Oof, that was Rotten. What did you think of the movie? Step 2 of 2 How did you buy your ticket? Let's get your review verified.
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How did you buy your ticket? View All Photos Movie Info. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed.
Damien joins his brother Teddy Padraic Delaney in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.
Ken Loach. Rebecca O'Brien. Apr 10, Cillian Murphy Damien O'Donovan. Padraic Delaney Teddy O'Donovan. Liam Cunningham Dan. Orla Fitzgerald Sinead.
Mary Riordan Peggy. Mary Murphy Bernadette. Laurence Barry Micheail. Damien Kearney Finbar. Myles Horgan Rory.
Ken Loach Director. Paul Laverty Writer. Rebecca O'Brien Producer. Ulrich Felsberg Executive Producer. Andrew Lowe Executive Producer.
Nigel Thomas Executive Producer. Paul Trijbits Executive Producer. Barry Ackroyd Cinematographer. Jonathan Morris Film Editor.
George Fenton Original Music. August 4, Rating: 3. May 11, Rating: 3. May 26, Full Review…. February 15, Full Review…. August 27, Full Review….
View All Critic Reviews May 30, Interesting story. I would recommend this if you're interested in Irish history or the rebellion.
Stephen S Super Reviewer. Apr 20, I don't know if that title sounds more war movie or Irish, but either way, it's stereotype in top form.
Even when you look up the ballad that is not related to the 20th century conflict portrayed in this film, you can't figure it out, because it remains Irish and about some form of rebellion, even though it's set during Jeez, come to think of it, maybe we shouldn't make that big of a deal about sustainability in Ireland, because it seems as though barley fields are a popular place to hold bloody conflicts, which isn't to say that you can go far in Ireland to avoid warfare.
Actually, I think that this film shows that the Brits and Irish aren't too bad off lately, because it's a joint British and Irish project, although it is nevertheless about Ireland's war for independence.
I like how this film is supposed to be about as independent as it is startlingly Irish, yet the Brits are still calling a lot of the shots.
I can just see the many, many Irish actors in this film getting into an argument with English director Ken Loach and ending up setting up some kind of a combat sequence right in the middle of the studio, but I highly doubt that happened, because I'd figure you could feel that intensity on the screen, and this film isn't quite that exciting.
No, this film is pretty decent, as well as it should be if it's going to win the Palme d'Or, but you must remember that this film won the Palme d'Or, so it can't be too exciting of a war film, and sure enough, not unlike Ireland, it's got some troubles.
Looking at the magnitude of this subject matter, I was a little surprised to find that the film doesn't even cross the minute mark, though not as much as I was surprised to find that the final product actually has to drag its feet to achieve a runtime that long, weighed down by a touch too much material that begins to feel superfluous when it begins to feel repetitious.
There's little momentum to pacing, even in Paul Laverty's script, and pacing is all but stiffened by dry spells in Ken Loach's atmospheric storytelling, which is not as cold as I feared it would be, but still rather dull, with a quiet chill that proves to be a directorial touch that is about as bland as such other directorial touches as overt realism.
By that, I mean that the film attempts to project a sense of naturalism through minimal stylization and less polished dramatics, whose intentionally realistic lack of coherency and sense of dramatic punch is often pretty effective in immersing you, but just as often monotonous in sending storytelling meandering down a path that is lacking in theatrics.
Of course, when Loach tries to get theatrical in atmosphere, he, as irony would have it, often gets carried away, bearing down with George Fenton's overblown score and almost gratuitously brutal imagery, until subtlety is shaken up worse than the titular barley, reflecting more dramatic ambition than dramatic laziness, but nonetheless doing an injustice to the potential genuineness of this drama.
What does, however, reflect dramatic laziness is, of all things, a lack of originality, because as hard as the film tries to meditate, craft realism and hammer on the resonance, is doesn't put that much effort into freshening up this war drama, which collapses into tropes in characterization, storytelling and so on and so forth, until familiarity reinforces blandness.
Yes, people, when it's all said and done, the big problem with this film is its being kind of bland, not to where you can't be adequately compelled, but certainly to where potential is lost for the sake of an ambition for thoughtfulness that gets carried away, and isn't even unique.
I suppose the final product should be kind of forgettable, but as it stands, while it's still underwhelming, what it does right leaves quite the impression, even an aesthetic one.
Well, as much as people praise Barry Ackroyd's cinematography, the blanding realist filmmaking settles the flare of Ackroyd's efforts, which are still pretty effective and rugged, with a subtle bleakness that is near-haunting by its own right and near-instrumental in the selling of this subject matter's grit and depth as a drama of considerable weight.
Stories of this nature have been practically done to death, and to be honest, hardly anything new is done in this interpretation, and yet, the value of the story concept cannot be denied, as this portrait on the Irish's brutal conflicts with the English and even among themselves during the Irish War of Independence and subsequent Irish Civil War holds potential as a political and moral affair dealing with downfalls in both society and humanity.
The idea of this film is more worthy than the execution, although it's not like the execution is especially messy or underwhelming, for even Paul Laverty's scripting, while unevenly paced and not too flavorful in other areas, carries an audacity to set piece designs and characterization that get pretty deep into the grime of this war portrait, anchored by humanly inspired performances.
Now, by humanly inspired, I mean that the performances, like the storytelling, also prove to be too naturalist to be all that biting, but they're still worthy, with commitment and range that sells the brutality of the individuals who drive this portrait on humanity's instability, particularly Cillian Murphy.
Charismatic, subtly effective and convincing as both a passionate leader and fearing citizen, Murphy isn't given a lot to do, but he's a worthy head to a cast full of worthy performances which, of course, drive much of the depth of this very human drama, yet cannot do so alone.
Ken Loach's direction is lacking on purpose, with a dryness and realism that works to near-ethereally immerse, yet ends up distancing about as much as anything, until the final product falls into underwhelmingness, but not too deep, to where resonance is ever fully lost, for Loach's uncompromising attention to brutality and more realized moments in often unsubtle dramatic kick is recurring enough to tense, if not compel, drawing you into worthy subject matter and establishing intrigue, until it becomes more difficult to fall out of the drama than it is to get invested in the drama.
Now, with that said, falling out of the film is still easy enough to do for the final product to reward, and that's a shame, because there's a lot of potential, ultimately done enough justice to make a drama that, while improvable, is still pretty engaging.
When the wind calms, the final product collapses into underwhelmingness under the pressure of structural dragging, directorial dry spells, and issues in both overt realism and overblown subtlety behind storytelling that isn't even all that unique, but on the backs of ruggedly bleak visuals, some tasteful scripting, strong acting and some effective highlights in uncompromising directorial storytelling, Ken Loach's "The Wind That Shakes the Barley" stands as a flawed, but still reasonably effective and adequately memorable account of the more significant years in Ireland's fight for independence.
Cameron J Super Reviewer. Apr 27, Though many films have been made on the subject, The Wind That Shakes the Barley is certainly one of the best takes on the struggle for Irish independence.
The movie is unflinching in its look at the struggle, not shying away from the many family and political dynamics that made it such a complex time.
It's often hard to watch, but never ceases to engage. This is due to the solid direction by Ken Loach, which keeps the film moving at a brisk pace, but not too fast.
The scene orchestration is excellent, the scenes develop organically and feel well realized. This is complemented by beautiful cinematography, which captures the amazing landscape, while also transporting us perfectly to s Ireland.
The performances from all around are moving, especially by Cillian Murphy, who brings a considerable dramatic weight to every scene.
We're almost transfixed by his earnestness, impressed with his dedication, and fascinated by his unwavering nature. If the film accomplishes anything, it's that it feels real.
The script also has an effective balance between being a drama, and a historical telling. The story centers around two brothers, but the conflict between them feels organic, we see the ambiguity of their later actions, feel their pain.
The dialogue is also appropriate to the people, not losing a sense that this was a struggle, of more than anything, of the common people.
A highly effective historical piece. Jeffrey M Super Reviewer. Nov 28, A well-done, powerful story concerning the battle for Ireland amongst the IRA led by Cillian Murphy against the power-hungry British during the 's.
Director Ken Loach picked out some really gorgeous backdrops to film this story, and this add to his overall epic scope concerning the themes of loyalty, freedom, and family.
Murphy's wonderful turn can not be understated, as he remains a scrawny but intense hero whose shift in character is handled exceptionally well.
The movie overall is not a masterpiece, given it has some slow parts as well as a mega-depressing ending that needed a little more closure.
Still a fine film in many respects, and definitely worth a view. Dan S Super Reviewer. See all Audience reviews.
Rory: They're more important than a bunch of fucking groceries! A little clarity in the name of God. View All Quotes. Be the first to ask a question about The Wind that Shakes the Barley.
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Sort order. Aug 08, Marie Carmean rated it liked it. I really enjoyed this classic but as it was written with strong Scottish brogue, it was somewhat difficult to understand at times.
I loved learning more about Robert Burns in the form of novel, and enjoyed the historic time represented and the beautiful prose.
It was well written, but awkward reading at times. As a classic, however, I think it's an important read.
It's a lovely little book. Dec 20, Phyllis rated it it was amazing Shelves: fiction. James Barke's first novel about Robert Burns' life as a young man is very well written.
He, like the poet, uses a mix of English and Scots cadences to bring to life the landscape, daily life, and people surrounding Burns.
Although I am not well-versed in Scots, the online Dictionary of Scots Language was a helpful supplement to this book.
It's not a bad book, but didn't grab my interest. Jul 22, Claudia Barrett rated it it was ok. Expected much more from this book.
Beneath the writer's attempt to convey Scotland's dialects and pronunciation, this comes across a thinly-disguised pot-boiler.
Provides insight into the poverty of Robert Burns' family along with many other tenant farmers in Scotland during the late s.
Mar 11, Barb marked it as to-read Recommended to Barb by: Mags. I didn't think I would like this book. I don't rush to pick up the book but when I do I am lost in its world within seconds.
The story-telling and sketches of characters are gently but firmly compelling. So far - so good. Mo rated it liked it Sep 27, Maddy rated it liked it Apr 23, Rhona Arthur rated it liked it Sep 23, Mindy rated it it was ok Jan 11, Heather Smith rated it really liked it Aug 11, Scothai rated it it was amazing May 26, Wild Horses rated it really liked it Feb 22, Puddock8 rated it liked it Oct 10, Neil McKinlay rated it really liked it Sep 09, Tom Monahan rated it liked it Nov 18, Ruan Peat rated it liked it Feb 22, Kasiak rated it it was amazing May 22, Sarah Henderson rated it really liked it Aug 21, Kenneth Mitchell rated it really liked it Jul 30, Megan F rated it liked it Sep 24, Ahmed Raza rated it it was amazing Jul 16, Eleanor rated it liked it Nov 15,
May 06, A fierce story of the Ireland's arduous fight for independence along the lines of Steve McQueen's Hunger both films even share actor Liam Cunningham. A gripping and moving film. Noah K. Bea Santos Paul Heasman. Please enter your email address and we will email you a new password. 50 Shades Of Grey Streamcloud Jonathan Morris. Deine E-Mail-Adresse. Fall TV
Nigel Thomas. Truth Addams Family Film Deutsch. Loach is able to Star Wars The Clone Wars Burning Series these muddy moral areas with a strong sense of confidence. Produktionsfirma Sixteen Films London. You may later unsubscribe. Regie Ken Loach. Where the film really excels is in the latter half when the Irish soldiers begin to deal with conflict amongst themselves. One Krist Novoselic at a Time. Requisite Keith Cullen. 
The Wind that Shakes the Barley ein Film von Ken Loach mit Cillian Murphy, Padraic Delaney. Inhaltsangabe: Irland Eigentlich wollte der junge irische. The Wind that Shakes the Barley. IRL, GB, D, I, F, E, FilmDramaKriegsfilm / Antikriegsfilm. Ken Loach erzählt die Geschichte des jungen Damien (Cillian. Irland Der junge Damien gibt seine Karriere als Arzt auf, um sich mit seinem Bruder Teddy den irischen Unabhängigkeitskämpfern anzuschließen, die. Originaltitel, The Wind that Shakes the Barley. Genre, Drama. Filmart, Spielfilm (Darsteller). Regie, Ken Loach. Darsteller, Padriac Delaney,Cillian Murphy,Liam. Jorge E. Cillian Sinister 1 Stream Deutsch. It is spam. Casting Donagh Kearney. Filmtyp Spielfilm. Nun erscheint der Film auf DVD, der bei den Rob Archer in Cannes — überraschend, wie häufig in der Supertalent Tickets 2019 zu lesen war — mit der begehrten Goldenen Palme prämiert wurde.
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ich beglückwünsche, die glänzende Idee und ist termingemäß