Die Welle 2008
Die Welle 2008 Wo kann man diesen Film schauen?
Der Lehrer Rainer möchte seinen Schülern während der Projektwoche das Thema Autokratie näherbringen. Er beschließt, ein Experiment zu starten, durch das seine Klasse verstehen soll, wie eine Diktatur entsteht. Er ernennt sich zur Leitfigur und. Die Welle ist ein deutsches Filmdrama aus dem Jahr Jürgen Vogel spielt einen Lehrer, der seiner Schulklasse in einem von ihm konzipierten. Die Welle: Drama von Christian Becker mit Jürgen Vogel/Maximilian Vollmar/Ferdinand Schmidt-Modrow. Jetzt im Kino. In der Romanverfilmung Die Welle spielt Jürgen Vogel den Lehrer, der mit seiner Klasse ein Experiment zum Thema Faschismus und Diktatur durchführt – mit e. Die Welle. Kann sich eine Katastrophe wie der Nationalsozialismus wiederholen? Dieser Frage geht "Napola"-Regisseur Dennis Gansel in seinem neuen Film. sizilienreisen.eu - Kaufen Sie Die Welle günstig ein. Oktober ; Darsteller: Jürgen Vogel, Max Riemelt, Jennifer Ulrich, Christiane Paul, Elyas M'Barek. Die Welle ein Film von Dennis Gansel mit Jürgen Vogel, Frederick Lau. Inhaltsangabe: Rainer Wenger (Jürgen Vogel) ist Gymnasiallehrer und soll seinen.
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THE WAVE: CINEMA’S MOST TERRIFYING LESSON Der Wechsel in die subjektive Sicht der nachdenklich gewordenen Figur entspricht der Gesamtdramaturgie des Films, der den Zuschauer an Samurai Jack Stream Punkt zur Reflexion aufruft. Die Schüler müssen ihn während des Marleen Lohse Größe mit "Herrn Wenger" ansprechen. Entscheidend sei die jeweilige Zielsetzung. Für sich alleine nur langweilig, ergäben diese Filme zusammen einen flächendeckend ausgeführten sozial- und geschlechterpolitischen Rückschlag. Wenger muss erkennen, dass er die Kontrolle über das Experiment zunehmend verliert und dass die Lektion für seine Schüler auch ihn unvorbereitet trifft. Publikumsnahe Stoffe, die unterhalten, Die Welle 2008 aber auch bewegen sollen, liegen Dennis Gansel am Herzen. Für ihn hat Gansel seine Affinität zu Nazis schon mit Napola bewiesen, Shahab Hosseini obwohl der Regisseur beide Filme als Warnung deklariert habe, sei er beide Male naiv der Lust an den gezeigten autoritären Gemeinschaften verfallen. Als Wenger ihn beruhigt, nimmt Tim die Waffe wieder herunter. Ähnliche Erlebnisse mehrerer Figuren, zum Beispiel wenn die Schüler am Abend Französischer Film 2014 Eltern vom Schultag erzählen, sind als Parallelmontage umgesetzt und demonstrieren die Bandbreite der Wahrnehmungen des Tages. Max Riemelt. When Bomber says the Rhinestone Deutsch only fires blanks and tries to take it, Tim shoots him, reveal it has live rounds. Torsten Breuer. Christian Becker. Mehr Infos: SD Deutsch. Die Welle - Trailer Deutsch. Namespaces Article Talk. It is an interesting fact that we always believe that what happens to others would never happen to us. This puts further strain on Wenger's already tense relationship with his wife, Anke, who thinks his experiment has gone too far. In Gansel's own The Code Staffel 1 it had been these Schnitzelstube Triebsdorf of teachers whom he had trusted the most. Napola - Elite für den Führer.Die Welle 2008 Tehlikeli Oyun Film Konusu Video
THE WAVE: CINEMA’S MOST TERRIFYING LESSONDie Welle 2008 - Inhaltsangabe & Details
Dies wäre Wann die Solveig keine Filme mag Filme von Dennis Gansel.Jennifer Ulrich. Christiane Paul. Jacob Matschenz. Cristina do Rego. Elyas M'Barek. Maximilian Vollmar. Max Mauff. Ferdinand Schmidt-Modrow.
Tim Oliver Schultz. Amelie Kiefer. Fabian Preger. Odine Johne. David Groenewold. Martin Moszkowicz. Heiko Maile.
Torsten Breuer. Christian Becker. Dennis Gansel. Peter Thorwarth. Alle anzeigen. Die Welle - Trailer. Die Welle - Trailer Deutsch. Bilder anzeigen.
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Filme wie Die Welle. Der Baader Meinhof Komplex. Good Bye, Lenin! Vincent will meer. Das Leben der Anderen. Herr Lehmann. Napola - Elite für den Führer.
Wenger points out that there is no way to remove the negative elements from fascism. Tim draws a gun and refuses to accept the Wave is over, fearing that he will once more be lonely and states that the Wave is his life.
When Bomber says the gun only fires blanks and tries to take it, Tim shoots him, reveal it has live rounds. When Tim demands why he shouldn't shoot Wenger too, Wenger says that without him, there would be no one to lead The Wave.
Tim abruptly shoots himself instead, preferring to commit suicide rather than go on living without The Wave. Wenger cradles his corpse and looks helplessly at his now traumatized students.
The film ends with Wenger being arrested by the police and driven away, Bomber being taken away to the hospital, and Marco and Karo being re-united.
The final images show Wenger in the back of a police car, staring into the camera overcome with distress.
The Wave is not the only movie to convert a social experiment conducted in the United States into a fictionalized plot. Gansel's Wave is based on teacher Ron Jones's "Third Wave" experiment , which took place at a Californian school in Because his students did not understand how something like national socialism could even happen, he founded a totalitarian , strictly-organized "movement" with harsh punishments that was led by him autocratically.
The intricate sense of community led to a wave of enthusiasm not only from his own students, but also from students from other classes who joined the program later.
Jones later admitted to having enjoyed having his students as followers. To eliminate the upcoming momentum, Jones aborted the project on the fifth day and showed the students the parallels towards the Nazi youth movements.
In , Jones published a narrative based on those experiences titled " The Third Wave ", which was made into a television movie of the same title in In the same year, Morton Rhue published his book "The Wave", which was published in Germany in and has since enjoyed great success as a school literature text.
It has sold a total of over 2. The screenplay is based on an article written by Ron Jones in which he talks about the experiment and how he remembers it.
The rights to the story which belonged to Sony were given over to Dennis Gansel for the production of a German movie. The screenplay moves the experiment, which was carried out in California in the s, to present day Germany.
The specific location is never mentioned explicitly as it stands for Germany as a whole. He said the movie is not an adaption and that he changed characters, dialogues as well as the beginning and ending of the movie.
The major difference, however, concerns the physical violence and the bloody end which became part of the movie.
Nonetheless, Gansel claimed in an interview that it was extremely important to him to ensure that his movie would not differ as much from the experiment as Rhue's book.
According to Gansel, representatives of the Bavarian film-funding agency which were initially inquired to fund the film project declined because they compared it to Rhue's novel.
Furthermore, they criticized that the teacher lacked a clear anti-authoritarian position in the submitted script. The entire project was jeopardized and the first film-funding agency to grant financial aid was the Medienboard Berlin-Brandenburg.
Constantin Film also became one of the sponsors and further managed the film's distribution. The overall budget of the movie amounts to 4,5 million euros and the movie was shot within 38 days.
According to Dennis Gansel , German students have grown tired of the topic concerning the Third Reich. Gansel himself had felt an oversaturation during his schooldays and had developed an emotional connection to this chapter of German history only after watching the film Schindler's List.
His film, however, was made on the premise that people felt immune to the possibility of a repetition of history as a result of the intensive study of National Socialism and its mechanisms.
It is an interesting fact that we always believe that what happens to others would never happen to us.
We blame others, for example the less educated or the East Germans etc. However, in the Third Reich the house caretaker was just as fascinated by the movement as was the intellectual.
The small town the movie is set in is prosperous and does not show any salient social or economic problems and the teacher practices a liberal lifestyle.
Gansel is convinced that the plot gains a broader psychological validity by the choice of such a location. In my opinion this is complete nonsense.
He then explains that, for example, Karo's political awareness and opposition arise out of vanity: she does not like the white shirt.
He says he does not believe that films are capable of having a greater political impact on the viewers and that a film can only influence people who were already sensitized to the topic presented.
In his opinion films can at best stimulate discussions, but to be able to do that they have to be really entertaining.
He claims that in between high-brow cinema, as films by Christian Petzold , and the entertaining comedies by Til Schweiger there was a vast gap in Germany, which urgently had to be filled.
In Gansel's own schooldays it had been these kind of teachers whom he had trusted the most. Gansel, whose grandfather had been a Wehrmacht officer, also announced that this film would be the first and last one concerning the topic of the Third Reich in his career as a director.
Teacher Wenger's casual manner at the beginning of the film contributes to the expectation of a comedy. The film is structured by five days of the project week.
At this, the beginning of every new day of the week is marked by an insert. The narrative style doesn't keep the audience at distance, so that it can reflect on the things that happened, but rather lets them experience the occurrences; so the plot is narrated linearly.
Similar experiences of various characters, for instance, scenes in which students tell their parents about their day at school, are realized as cross-cutting and thus demonstrate the range of different perceptions of the day.
The film is narrated from the perspective of a third person, although particular scenes provide individual characters' subjective points of view.
An example for this is the scene in which Karo is in the schoolhouse at night, or the scene at the end when Wenger is arrested by the police and driven away.
While on the one hand Wenger is filmed in low angle shot and sings rock music in the opening sequence, on the other hand he seems depressed in this last scene.
This change is meant to initiate reflections on the part of the audience. So triggering off fascism involves a couple of dead persons.
At some parts, the film utilizes stylistic devices of the Nazi weekly reviews, which recorded Hitler 's speeches.
An example for this is the closing speech of Wenger. In this scene the camera is placed close behind him, at the level of his nape, and so offers a view of the geometrically arranged crowd of students.
Especially the film clip in which the Wave-supporters spray their logo on buildings, is staged in the style of a music video. There is fast, even rapid camera work and the rock music, that accompanies many of the scenes, is often characterized as impulsive.
German criticism of Die Welle was extremely divided. Solely the opinions on the actors were always the same. Because Gansel attributes a position as a left-winger and former squatter to him, he involuntarily provides further evidence for the Götz Aly 's thesis, that the 68er Bewegung have further developed the authoritarian body of thought of the Nazis of , they argued critically.
There was also disagreement about the staging. The movie was exciting, disturbing and fascinating, [20] and deals with a difficult plot as exciting entertainment, some critics pointed out.
The German version ended up in the film but the English version is available on an international version of the soundtrack. The original film score was composed by Heiko Maile , a member of the band Camouflage.
In the film and its novelization , the action takes place in the fictitious Gordon High School, which in turn is based on a series of events at a school in Palo Alto, California.
The names were changed to sound German, but the characters are similar. The outsider theme was expanded by introducing three new characters: Sinan who is Turkish , Kevin the aggressive bully, and Dennis from East Germany who is mocked as " Ossi ".
The film's ending, where there is no violence and the teacher is not arrested, is much tamer than the ending of Die Welle and is more accurate to the real-world events that inspired both films.
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Ich tue Abbitte, dass ich mich einmische, es gibt den Vorschlag, nach anderem Weg zu gehen.