Plan 9 From Outer Space
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Plan 9 aus dem Weltall ist ein Spielfilm mit Horror- und Science-Fiction-Elementen von Edward D. Wood jr. aus dem Jahr In einer Leserumfrage des erschienenen Buches The Golden Turkey Awards wurde Plan 9 from Outer Space zum. Aufgrund seiner durchweg unfreiwilligen Komik in Dialog und Handlung erlangte Plan 9 from Outer Space den Status eines Kultfilmes. Er wird gelegentlich als. sizilienreisen.eu - Kaufen Sie Plan 9 from Outer Space (OmU) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. Plan 9 From Outer Space. (66)1 Std. 15 Min Außerirdische versuchen, mit der Menschheit Kontakt aufzunehmen, weil sie befürchten, diese könnte. Edward D. Wood, USA, , 80min, Man mag selbst darüber urteilen, ob PLAN 9 FROM OUTER SPACE, wie mit gewissem Stolz behauptet wird, tatsächlich. Entdecke die Filmstarts Kritik zu "Plan 9 from Outer Space" von Ed Wood: Mit „Verbrechen und andere Kleinigkeiten" hat Woody Allen eine wichtige Faustregel. Plan 9 from Outer Space. USA | Regie: Edward D. Wood Jr. | 79 min. | 35 mm | mit Bela Lugosi, Gregory Walcott, Mona McKinnon | engl. Originalfassung.
Ed Wood - Plan 9 From Outer Space - (DVD) im Onlineshop von MediaMarkt kaufen. Jetzt bequem online bestellen. Endlich hat “Plan 9 From Outer Space” den Sprung in den Blu-Ray-Player geschafft und die Kultmoviegang zollt dem vermeintlichen Godfather. Originaltitel, Plan 9 from Outer Space. Genre, Science Fiction. Filmart, Spielfilm (Darsteller). Regie, Edward D. Wood Jr. Darsteller, Tom Keene, Duke Moore. zurück. PLAN 9 FROM OUTER SPACE. Welcher Film eignet sich besser, die «Worst Movie Nights» in Zürich zu lancieren? Richtig, keiner. Keine Vorstellungen. The aliens implement "Plan 9", a scheme to resurrect the Earth's dead, referred to as " ghouls ". By causing chaos, the aliens hope the crisis will force humanity to listen to them; otherwise the aliens will destroy mankind with armies of the undead.
The film was originally developed under the title Grave Robbers from Outer Space , but its financial backers objected to this title, considering it sacrilegious, and it was retitled Plan 9 from Outer Space prior to production.
Plan 9 from Outer Space played on television in relative obscurity until , when authors Harry Medved and Michael Medved dubbed it the " worst film ever made " in their book The Golden Turkey Awards.
It has since been retrospectively described as "The epitome of so-bad-it's-good cinema" [2] and has gained a cult following.
Mourners are gathered around an old man at his wife's grave. Overhead, an airliner heads toward Burbank, California. The pilot, Jeff Trent, and his co-pilot Danny are blinded by a bright light and loud noise.
They look outside and see a flying saucer. They follow the saucer's flight until it lands at the graveyard, where the funeral's gravediggers are killed by a female zombie.
At home, lost in his grief, the old man goes outside and offscreen steps in front of an oncoming car and is killed.
Mourners at the old man's funeral discover the dead gravediggers. Inspector Daniel Clay and other police officers arrive, but Clay goes off alone to continue his investigation.
Trent and his wife Paula, who live near the graveyard, hear the sirens and Jeff tells Paula about his flying-saucer encounter, stating that the army has since sworn him to secrecy.
A powerful swooshing noise then knocks everyone at the Tanner residence and the nearby graveyard to the ground as a saucer lands. Police Inspector Clay encounters the female zombie and the old man's reanimated corpse, and they kill him.
Investigating Clay's disappearance, Lt. Harper states: "But one thing's sure. Inspector Clay is dead, murdered, and somebody's responsible".
Newspaper headlines continue to report flying-saucer sightings over Hollywood Boulevard , while a trio of saucers flies over Los Angeles. In Washington, D.
Thomas Edwards, reveals that the government has been covering up saucer attacks. He mentions that one small town was annihilated, hinting at a secret history of other encounters.
The aliens return to their Space Station 7. Commander Eros informs their ruler that he has been unsuccessful in contacting Earth's governments.
To force their acknowledgment, Eros recommends implementing "Plan 9", which will resurrect recently-dead humans by stimulating their pituitary and pineal glands.
Meanwhile, Trent prepares for another flight; concerned for his wife's safety he urges her to stay with her mother, but she insists on staying home.
That night, the zombified old man rises from his grave and breaks into the house. He pursues Paula outside, where his zombie wife and zombie Inspector Clay join him.
Paula manages to escape, then collapses from her ordeal while the three zombies return to Eros' saucer. At the Pentagon , Gen.
Roberts informs Edwards that the government has been receiving alien messages. They explain that the aliens are trying to prevent humanity from eventually destroying the universe.
The general dispatches Edwards to San Fernando, California , where most of the alien activity has occurred.
Though the undead are under alien control, zombie Clay suddenly attacks and nearly strangles Eros.
The ruler closely examines zombie Clay, then orders the zombie old man destroyed to further frighten humanity. He then approves Eros's Plan 9 to raise undead armies and orders that they march on the capitals of Earth.
In California, the police and Edwards interview the Trents, not knowing that the flying saucer has returned to the graveyard.
Officer Kelton encounters the zombie old man, who chases him into the Trents' yard where Eros' ray hits him and his body rapidly decomposes.
Stunned, Edwards, the Trents, and the police drive to the cemetery. John Harper insists on leaving Paula in the car, but Paula refuses to stay alone, so Kelton stays with her.
Eros and fellow alien Tanna send zombie Clay to kidnap Paula and lure the other three to their saucer. Seeing the saucer's glow off in the distance, Trent and the police head toward it.
At the car, zombie Clay knocks out Kelton; when he awakens, Kelton calls for help and Patrolman Larry responds.
Eros lets Trent and the police enter his saucer with their guns drawn. He then tells them human weapons development will inevitably lead to the discovery of "Solaronite," a substance that has the effect of exploding "sunlight molecules.
Eros now believes humans are too immature and stupid "You see? You see? Your stupid minds. He threatens to kill Paula if Trent and the police try to force him to go with them.
Officers Kelton and Larry arrive and see zombie Clay holding the unconscious Paula near the saucer. Realizing that their weapons are useless, they sneak up behind Clay and club him with a length of wood, knocking him out.
Eros sees this and says Clay's controlling ray has been shut off, which released Paula. A fight breaks out between Eros and Jeff, but the saucer's equipment is damaged during the struggle, starting a fire aboard.
The humans quickly escape, and Tanna and the unconscious Eros fly away in their burning saucer, which finally explodes, killing them both; their zombies quickly decompose to skeletal remains inside their clothing.
The film combines elements of science fiction, Atompunk , and gothic horror. Science fiction remained popular throughout the s, though the genre had experienced significant changes in the post-war period.
The Atomic Age , heralded by the development of nuclear weapons and the atomic bombings of Hiroshima and Nagasaki , had inspired science fiction films to deal with the dangers of unrestricted science, while space flight and the existence of extraterrestrial life and civilizations more "traditional" elements of the genre , seemed to hold new fascination for audiences at the beginning of the Space Race.
On the other hand, Gothic fiction had enjoyed the height of its film popularity during the s and s. It was in decline by the s and was viewed as old-fashioned.
By s standards, the combination of dated and modern elements gives the film a rather anachronistic quality. Plan 9 ' s script seems to aim at being an epic film , a genre typically requiring a big budget from a major film studio.
That Ed Wood made it with minimal financial resources underscores one of the qualities of his work: His ideas tended to be too expensive to film, yet he tried to film them anyway.
As Rob Craig argues, Wood's failed efforts give the film a peculiar charm. Craig finds that Plan 9 has much in common with both epic theatre "grand melodrama on a minuscule budget" and the Theatre of the Absurd characters acting as buffoons, nonsense, and verbosity in dialogue, dream-like and fantasy imagery, hints of allegory, and a narrative structure where continuity is consistently undermined.
The film opens with an introduction by Wood's friend, psychic Criswell : "Greetings my friends! We are all interested in the future, For that is where you and I are going to spend the rest of our lives!
This line appears in the narration for the General Motors ' "Futurama" ride and its accompanying film, To New Horizons , that were part of the New York World's Fair —years before Criswell's own television program.
The introduction could be an allusion to the opening lines of his show a Criswell Predicts title card appears at the start of the scene , but since no episodes of the television show are known to survive, a comparison is impossible.
Craig suggests that Criswell's public persona was based on the style of a charismatic preacher, perhaps influenced by early televangelists.
Criswell addresses the viewers repeatedly as "my friends," as if attempting to establish a bond between the speaker and the audience. The line likely derives from his show, and would not be out of place in a segment where a televangelist addresses his congregation.
Another phrase of the introduction, "Future events such as these will affect you in the future", served as a signature line for Criswell.
He used it repeatedly in his newspaper and magazine columns, and probably his show as well. Another line asserts that the audience is interested in "the unknown, the mysterious, the unexplainable," probably assuming that the film's audience will have a fascination with the paranormal.
The narrator starts claiming that "we" the filmmakers are bringing to light the full story and evidence of fateful events, based on the "secret testimony" of the survivors.
The narration seems to emulate the style of sensational headlines in tabloid newspapers, and promises audiences access to "lurid secrets" as if following the example of True Confessions and similar scandal magazines.
The notion that a film or show could be based on true incidents and testimony would be familiar to a s audience, because it was used in contemporary police procedurals such as Dragnet.
Changing the tone, Criswell delivers the sermon-like lines: "Let us punish the guilty! Let us reward the innocent! The introduction concludes with the dramatic question: "Can your heart stand the shocking facts about graverobbers from outer space"?
The latter phrase was simply the original title of the film, but the rest of the line again seems to emulate the sensationalist press.
The film's afterword , also narrated by Criswell and delivered in an identical tone to the film's introduction, provides the audience with a challenge " Can you prove it didn't happen"?
Through Trent's initial conversation with his wife, the film introduces the notion of a government and military conspiracy to cover up information on documented UFO sightings.
Edwards throws the cape off of the body revealing the horrible sight. A couple of shots later they wake up Patrolman Kelton who is now lying on the cape.
Continuity mistake : The grave diggers are covering Bela Lugosi 's wife's grave in broad daylight. In the next shot when Vampira comes walking out it's in the middle of the night.
Continuity mistake : As Tor Johnson goes into the graveyard with his flashlight we see the same headstones we saw a few moments earlier when the woman screamed, only now they've been rearranged.
Continuity mistake : At the beginning of the movie the narrator states that the funeral for the old lady is taking place at dusk. The next scene, in the airplane, is supposed to be taking place at the same time yet when the co-pilot calls the control tower he says that it is fifteen minutes to four and he doubts that the controller would be awake at this time of the morning.
Continuity mistake : When we first see Tor Johnson and the other policemen coming out of the police station it's pitch black out.
In the next shot of them driving to the cemetery it's broad daylight. Continuity mistake : The soldier talking to Col. Tom Edwards is holding a walkie-talkie in some shots and not in others.
Continuity mistake : As Tor Johnson rises from the dead his head stone gets larger between shots. Revealing mistake : When Bela Lugosi walks off screen, it's obviously a freeze frame.
The swaying tree stops moving and even though he was hit by a car, his shadow is still visible.
Colonel Tom Edwards: For a time we tried to contact them by radio but no response. Then they attacked a town, a small town I'll admit, but never the less a town of people, people who died.
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What can it mean? What is the truth? These were that a study had found that all reports could be explained by astronomical or meteorological phenomena, mistaken identification of aircraft, balloons, birds, optical illusions and psychological delusions, or were deliberate hoaxes.
But in the CIA at the time, two other responses were countenanced: the need for vigilance and caution because extraterrestrial life could exist, and the potential for "psychological warfare", including fears that popular hysteria could be exploited by an enemy.
The sceptics are best represented in a memo in March from a Dr Stone in the CIA Office of Scientific Intelligence to a Dr Machle that states: "A rapid perusal of your [flying saucer] documents leaves one confused and inclined to supineness.
Yet with a deluge of UFO reports over the next four years, the matter suddenly assumed a modicum of gravitas, reflected in many top-secret documents.
General Smith said: "There was one chance in 10, that the phenomenon posed a threat to the security of the country, but even that chance could not be taken.
I suggest that we discuss at an early board meeting the possible offensive and defensive utilisation of these phenomena for psychological warfare purposes.
Searching for this "proposal", I found versions addressed also to the secretary of defence. Some of their highlights, quoting directly from the documents, include: "[Since] there have been about official reports of sightings and [of these] the air force carries 20 per cent as unexplained.
This memo suggested a plot that transcends Stanley Kubrick's Dr Strangelove : the CIA, in the face of unknown phenomena - or even an attack from outer space - was seemingly more concerned about what the Russians might do with UFOs than with the objects themselves.
But on October 2, , General Smith received this ominous note from his Office of Scientific Intelligence: "Flying saucers pose two elements of danger which have national security implications.
The first involves mass psychological considerations and the second concerns the vulnerability of the US to air attack. Its members reviewed "75 case histories of sightings", taking intense interest in a Tremonton, Utah, sighting that included a Kodachrome movie of " frames".
At the air force's request, the US Photo Interpretation Laboratory spent hours making "graph plots" of the film frames, concluding that the objects were not birds, balloons, aircraft or reflections and that they were "self-luminous".
In a tone of reasonable scepticism, it suggested that the public be educated to avoid hysteria. But the Office of Scientific Intelligence panel dismissed the military conclusions, suggesting instead that the mysterious objects were seagulls reflecting sunlight.
On January 21, , another memo concluded that the panel had found no evidence of "physical threat to the security of the US".
The convoluted memo stated: "The subject UFO is not of direct intelligence interest. It is of indirect intelligence interest only insofar as any knowledge about innumerable unsolved mysteries of the universe are of intelligence interest.
This report and the original Tremonton "seagull" film were then made part of an Office of Scientific Investigation briefing on January 29, , to the entity known as ONE.
Pull and Admiral B.
William C. Plan 9 from Outer Space. Plan 9 aus dem Weltall. Bevor die rückständigen Erdlinge die Zeichen der Zeit erkennen, sind bereits acht Alien-Pläne fruchtlos zurück in die Dilwale Stream Kinox Schubladen 1. Advent Gif Animiert. Edward Davis Wood Jr. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Möchtest Du weitere Kritiken ansehen?Plan 9 From Outer Space - Hauptnavigation
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